Williams has written the musical signature for the continuing adventures of the character played by Ewan McGregor, airing on Disney Plus beginning May 25. He recorded last week with a Los Angeles orchestra under tight security, sources say.
It is a coup for both Lucasfilm and Disney, considering the five-time Oscar winner rarely composes for television. His last theme for a weekly dramatic series was “Amazing Stories” in 1985, although he has written two for PBS series (“Masterpiece Theatre” in 2000, “Great Performances” in 2009), and his news and Olympics themes, written decades ago, continue to air on NBC.
Williams’ “Star Wars” scores are legendary. He won an Oscar for the original in 1977 and received nominations for five of the sequels (“The Empire Strikes Back” and “Return of the Jedi” in 1980 and 1983, followed by “The Force Awakens,” “The Last Jedi” and “The Rise of Skywalker” in 2015, 2017 and 2019).
He also wrote the theme for “Solo: A Star Wars Story” in 2018 and Disneyland’s “Star Wars: Galaxy’s Edge” theme park in 2019. The latter won him his most recent Grammy, one of six awarded for his “Star Wars” compositions over the years.
Williams, who turned 90 on Feb. 8, is remarkably busy. He is composing the scores for Steven Spielberg’s “The Fabermans” (due out in November) and for the fifth “Indiana Jones” movie (due next year). He will conduct the Vienna Philharmonic on March 12-13, the Philadelphia Orchestra April 19 and 21, the Pittsburgh Symphony on April 25 and the Los Angeles Philharmonic Sept. 2-4 at the Hollywood Bowl.
Williams scored the original Obi-Wan Kenobi, as played by Alec Guinness, with a theme that became better known as that of the Force (“the spiritual-philosophical belief of the Jedi Knights and the Old Republic,” as the composer explained in 1977), used in the famous Throne Room scene that concluded the first “Star Wars” film.
It is not known if he has reprised that, or possibly a theme from the George Lucas-directed, Williams-scored prequels that featured McGregor (“The Phantom Menace,” “Attack of the Clones,” “Revenge of the Sith” from 1999-2005), or written an entirely new piece. The TV stories are said to take place after the events of “Sith.”
No word yet as to who will be scoring the six individual episodes, which are believed to be recording in London.
Disney and Lucasfilm spokespeople were unavailable for comment on this story.